Dr. Michael Morbius (Jared Leto), the protagonist of Columbia Pictures’ “Morbius” MCU semi-consequent thriller, is a “living vampire.” You’re probably wondering what that means. Was he a doctor who became a vampire without having to die? Why, that’s correct – he has tried to cure his life-threatening blood disease by merging his DNA with those of vampire bats. (What illness are you asking about? You’re the sweet and innocent youngster.) He now has superhuman speed, strength, echolocation, and a voracious hunger for blood. Man-made substitute for. So does that mean vampireism’s usual rules don’t apply? Yes and no. According to Morbius’ recipe, Loxias Crown (Matt Smith), his closest friend, became his worst adversary, transforming himself into a vampire. But we don’t know if he survived the transformation. The most obvious reason for this is that the footage was left onscreen, which may be linked to the numerous reboot and delay problems that hindered “Morbius” in making it to the big screen. Other characters perish and come back to life after drinking Morbius’ blood, a supernatural transformation that does not — as Morbius himself stated. All of the best metaphorical success is in Matt Sazama and Burk Sharpless’ screenplay, as well as in Leto’s performance: Vampirism as disease? Test. Vampires like addiction? You then. Don’t ask too much about actually developing these themes, though, as the film’s approach is to point out and shout, “look over there!” whenever things get complicated. A superhero whose murders are a direct result of his efforts to help people present a complicated moral dilemma. But you wouldn’t be able to tell that from this movie, which takes any compelling elements of the protagonist’s story and turns them into clichés about the duty of a privileged few to be right. protect the unsuspecting.You can enjoy with friends or family right at cinemahdv2 App
The basic thrust of the plot is that Morbius – a prominent scientist whose laboratory is funded by the Crown family fortune – is conducting experiments that are ethically questionable enough for all who have concerned thought it best to pursue them in international waters. That doesn’t matter, given Crown’s huge fortune. But the aftermath of the first human experiment resulted in the deaths of eight sailors, and their bodies were quickly discovered aboard a ghost ship similar to the one containing Count Dracula at the beginning of Bram Stoker’s novel. (It wasn’t “Morbius” that just related to other, more coherent vampire stories: The ship was named Murnau, after the director of “Nosferatu.”)From there, Morbius – who, as you might have guessed, was turned into a “living vampire” during the trial – appears to be under investigation by the FBI. But Agents Rodriguez (Al Madrigal) and Stroud (Tyrese Gibson) have done a terrible job of tracking him down, claiming he’s back in his lab with his co-star and favorite Dr. (Adria Arjona) within hours of committing the offence. This is a front page story with an ever-evolving body count, and the prime suspect wandering around unnoticed by doing little more than covering up his sweater. But no problem. For a more important question: Are things about vampires interesting?
Sadly, that’s not really the case. Like most superhero movies, “Morbius” has a PG-13 rating, limiting the blood flow to the original Morbius juice cans that flow smoothly and the occasional rust stain on the character’s neck. And although the pseudo-artists are listed in the film’s credits, their contributions are difficult to publish in the heavy-handed CGI landscape. “Morbius” isn’t an MCU movie: It belongs to the so-called “Spider-Verse,” which comes from the same studio as “Spider-Man: No Way Home.” But it shares an Achilles heel with the MCU, in the sense that you can’t tell what’s going on in any of the movie’s action sequences.
If it weren’t for the sketchy, rippling CGI trails that followed as Morbius awoke—imagining the combination of hallucinogenic trails and sooty creatures from “My Neighbor Totoro”—in front of the screen, those are the damn bats. It is clear that the previous action sequences are not much better. But it’s almost impossible to keep track of the film’s climactic battle, thanks to a swarm of vampire bats rushing in at the last minute to save the day.
Writers: Matt Sazama(screen story by)Burk Sharpless(screen story by)
Stars: Jared LetoMatt SmithAdria Arjona