Iravin Nizhal is a film directed by R Parthiban and written by him and produced by Bioscope Film Framers in collaboration with Akira Film Productions. The film is based on Parthiban’s life, and it features him in the lead role. The cast includes Parthiban himself as well as Robo Shankar, Varalaxmi Sarathkumar, Priyanka Ruth, Brigida Saga, and other actors. AR Rahman composed the music for the film; Arthur Wilson shot the cinem.
Nandu (Parthiban) is a financier for Tamil films who tracks down a fake spiritual leader in order to get even for something. Nandu, who has a long history of torment at the hands of his father, Swami Paramananda, flees to Chendamangalam from Valapattanam. But there are more obstacles in store for him and he is promptly captured by the police once again. Nandu must now face an array of fresh challenges.
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Iravin Nizhal is a single-shot, non-linear film that is the first in the world to accomplish it. The film’s makers placed the making video at the start of the movie, which sets the tone and mood for what we’re about to see. While technicians like AR Rahman, cinematographer and art director, talk about their role in production, Parthiban also demonstrates how something went wrong with each take and how difficult it was to shoot a film.
While we’ve heard a lot of people claim to have worked hard, here’s one who has demonstrated what it means. He has shattered the cinematic limitations that had previously stifled creativity, allowing future filmmakers to do the same. There’s only one fundamental issue Iravin Nizhal raises while we watch it: Is Parthiban’s narrative a single shot that was required to be told as such, or did he decide to shoot a film as a single shot and.
The down-to-earth look of Iravin Nizhal is one of the major drawbacks. Since the director is so focused on conveying everything in a single shot, the storytelling aspect feels lacking. The film’s pacing is swift… but it’s too quick that many of the events don’t have enough time. It’s as if the movie tries to get to the next scene as soon as possible. Parthiban is fantastic as Nand.
In a good way, technically the camera movement and swings through the sets make the film appear more cinematic. The songs enhance the film to the next level, thanks to brilliant lyrics and music by A.R. Rahman, who gives us a highly immersive score that elevates it to another level. Production design by Vijay Murugan is excellent, creative, and helpful to both the narrative and cinematographer Arthur Wilson’s camera.
Overall, Iravin Nizhal is a technical marvel that clearly needed sharp writing. Parthiban’s achievement, on the other hand, is groundbreaking and allows us to overlook the script and writing flaws. Parthiban Wordplay contains all of the usual ‘Parthiban Wordplay’ conversations, but half of them detract from the action and reduce our interest. The acting of the actors and Parthiban’s perseverance keep us engaged for the whole runtime, as does the short run time.
ChandruAnandha KrishnanParthiban Radhakrishnan